![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||
| The
tradition of eccentric businessmen is indeed rich. In the 1920s, box-manufacturing
tycoon Bob Hughes took infinite pleasure from standing outside Tiffany's
in New York City and throwing a mayhem-inducing cache of fake jewels across
the sidewalk; renowned publisher Joseph Pulitzer suffered from nervousness
so acute that he spent his last 20 years in soundproof rooms; and the definitive
oddball entrepreneurHoward Hugheswas not seen in public over
the last 26 years of his life. Measured against these 20th century figures, the wireless communications pioneer Craig McCaw would be considered unremarkable. Measured against his peersentrepreneurs and CEOs for the 21st centurythe reclusive and beneficent Mr. McCaw is a singular creature. While Craig McCaw's contemporaries believe in the inherent good of technology, define themselves by what they do (or, worse yet, by how much they own), and approach business as a no-holds-barred grapple with the competition, Mr. McCaw's approach is more cerebral. He speaks of the inherent risks of technology, of striking a balance between life and work, and of the morality required to do business. In a time when successful businessmen rank as celebrities and the lives of celebrities reside in the public domain, when his peers surround themselves with public relations machines and welcome adoration, Mr. McCaw eschews practically all publicity. Though he has succeeded somewhat in preserving his anonymity, the parts of Mr. McCaw's personal history that have been revealed are the stuff of Victorian literature (or made-for-TV movies): After the McCaw clan loses its family fortune, the young Viscount McCaw (on TV, Craig, played perhaps by Jason Priestly) restores his family's riches, and ultimately uses his fortune for the betterment of the serfs in his fiefdom (on TV, to pay for his mother's liver transplant surgery). He is a communications pioneer who has amassed a fortune of billions despite being dyslexic. His story is desperately worth telling. Acquiring a first-hand account of Mr. McCaw's narrative, however, is a decidedly frustrating experience. All roads to Craig McCaw begin at the inexorable Bob Ratliffe, Mr. McCaw's long-time media minder. Even getting Mr. Ratliffe on the phone proves difficult; getting time with Mr. McCaw invariably proves impossible. Left to one's own devices, all that one can do is wander the Seattle area-searching for insights into the enigmatic Mr. McCaw. Highland, Washington Seeing the Boeing mansion, an official Seattle historical landmark which doubled as the boyhood home of a young Craig, affirms that Mr. McCaw's is no rags-to-riches tale. He was born Craig Oliver McCaw in 1949. His father, J. Elroy McCaw, was a pioneer in radio and television, and earned a living that kept all six McCaw'sElroy and wife Marion and, in order, sons Bruce, Craig, John, and Keithhoused in Seattle's posh Highlands district. Servants and a private cook meant there was no fighting for food among the McCaw sons. Despite the lavish upbringing, though, life for a young Craig McCaw still had its challenges. The first and most persistent was growing up dyslexic. "Growing up, I had trouble fitting in," said Mr. McCaw in a 1998 interview. "As a dyslexic, I don't think like other people, so I didn't fit very well in a clique." To see Mr. McCaw at public gatherings is to witness the unfortunate effects of his dyslexiahe is shy and unassuming, visibly uncomfortable during his rare public speaking engagements. The narrative of his ideas is disjointed, his point only becomes clear when his trains of thought collide in an unpredicted conclusion. He is famously well-known for blowing the punch-lines of jokes. To inventory Mr. McCaw's professional success, however, is to understand how his dyslexia has influenced significantly his entrepreneurial vision. Mr. McCaw credits his ability to see circumstances from unique perspectivesto see, for example, the potential of cellular communications, an insight that seems obvious now but that was uncommon in its dayto the challenges of growing up dyslexic. "Dyslexia forced me to be quite conceptual, because I'm not very good at details," he said at his 1997 induction into the Academy of Achievement. "And because I'm not good at details, I tend to be rather spatial in my thinking-oriented to things in general terms, rather than the specific. That allows you to step back and take in the big picture. I feel blessed about that." A second and more traumatic challenge that young Craig faced was the death of his father. In 1969, home for a break during his freshman year at Stanford, Craig found his 57-year old father dead from a stroke. |
Start Founders' Note Dateline Dispatches about the interaction of culture and technology. Through a lens People use cameras to answer a question. Backlash Killthedot.com Translator Software interprets the classics Send-up Satire and ridicule. Features Silicon Valley The Enigmatic Craig McCaw Finish Fiction "Cyber-sized" History of... the typewriter. The Watch Reviews and commentary Wind-up Physicist Carver Mead explains why innovation requires courage and luck. |
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Alarm Clock Communications is dedicated to providing a platform for opinion, and here is our promise: ANY editorial submission that is consistent with our editorial mission and that meets our editorial guidelines will be published. And the best of what we receive will be printed in alarm:clock magazine.So let us know what you think. brian@thealarmclock.com andrew@thealarmclock.com |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||